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Double Delights

Tuesday, September 23^rd, 2003

There’s a reason why you don’t see more double penetrations in gay porn. They’re damned difficult to shoot. Gay porn, by definition, is more difficult to shoot than straight porn because you have to keep two dicks hard as opposed to one, for an extended period of time. When it comes to a double penetration, that’s three dicks you’re dealing with, for an even longer time, two of which have to be hard while rubbing up against each other inside a dude’s hole. Hot? Oh, hell yes! Easy to shoot under the pressure of a ten man crew and the brightest lights since the Big Bang? Oh, hay-ell no!

Thus, most of us in the industry came to the conclusion that director Phil St. John was just insane when he announced that he would be shooting the gay porn world’s first ever “all double penetration movie” for Pacific Sun Entertainment. A movie he calls, Double Delights.

Today, history is truly being made. Logan Reed is fucking Tim Tyler (if Tina Tyler had a son, this might be him!) with a red popsicle when I arrive on the set. He tastes the popsicle and then sticks it deep inside of Tyler’s twink hole. The bright lights are melting it and St. John is screaming to capture what he can before it’s gone. “SPREAD THE HOLE!” he yells. “I can’t see THE HOOOOLE! Spread that mother fucking hole.”

“There’s a lot of juice, should we wipe – ”

“We don’t need to wipe, SPREAD IT!”

Gura pops his head into the scene and sits down on Tim’s back while Logan continues his work with the popsicle stick. His cock is just as massive as it was the last time I saw him, though he’s far more fit than he was when he first moved to Los Angeles. He’s lost weight, he’s toned up, and he’s got himself a nice L.A. haircut. He’s also got himself a nice L.A. attitude, as he’s far more demanding than he’s been on previous St. John shoots.

Logan Reed sees me across the room, smiles and growls playfully. Everyone is dressed in matching outfits, including St. John from behind the monitors. Baby blue T-shirts, baby blue pants, white g-string undies, and white 50’s style loafers. The set is beautiful and reminiscent of previous St. John classic, Getting it at the Rave.

“Logan is hard,” muses St. John. “I don’t want to waste that. Fuck him now while he’s bent over, sucking Gura’s dick.”

Logan wraps a candy red condom around his cock to match the popsicle and proceeds to fuck the juice out of Tim’s tiny hole. Tim would scream if he could, but he can’t because his mouth is filled with Gura’s girth. Logan tells Gura how good it feels; says it’s so tight that he has to try it. Gura says he can’t wait and spins Tim around so his ass is now facing him. He stretched out his hole with his dick and says to St. John, “Um, there’s no way he’s gonna take both of our dicks. He’s so tight!”

St. John tells him to smack Tim’s ass. “He ain’t got any ass!” he laughs. “But I’ll smack it!” Gura calls him a slut and a little bitch while he fucks him.

A break is called for so both tops can get their dicks as hard as possible. Gura prefers straight porn mags. Logan reads erotica, something I’ve never seen anyone do to get wood on a set in my five-plus years in the biz.

They each take turns fucking Tim before going for the double penetration. You would think that if anyone would be complaining, it’d be little Tim, but Gura’s is the attitude that is starting to show. With a cock his size, when he finally gets fully hard, he’s ready and becomes very demanding. “Sit. NOW!” he tells Tim. The submissive obeys. It works for the scene, though off camera Tim is quickly becoming tired of his antics. Every three minutes he pushes Tim off his cock, rips off his condom and throws it across the room out of frustration.

After six hours of shooting this one scene, Tim remains cool as a cucumber. “My ass is as open as a Wall-Mart Super Center!” he says. Logan rolls his eyes and grits his teeth, half past over it at this point. The double penetration proves harder than it seemed. Gura’s penis keeps flopping out everytime Logan tries to thrust inside of Tim’s tight hole. They try and they try until Logan stands up and shouts, “DONE! Logan is done,” when he feels they have enough footage of the DP to move on.

St. John calls for cum shots and they all happily oblige. Gura asks that everyone leave the room for his, with the exception of camera crew.

An hour later, the next scene begins with Anthony Holloway, Abram Rodriguez, and Kid Cock. Kid Cock is actually a new pseudonym for another porn pseudonym, used in this production due to his clothes and hairpiece resembling Kid Rock. I’ll leave it up to you to figure out who it really is! The cock, possibly the biggest in the biz next to Chad Hunt, should immediately give him away.

What makes Phil St. John brilliant is his use of color. “We’ve got style, we’ve got class, and we’re gonna bring you ass!” he jokes. All joking aside, it’s the truth. His use of glam photography with color coordination in set and wardrobe makes you feel as though you’ve entered another dimension. It’s St. John’s world, as he sees it through his rainbow tinted shades.

This setting is much darker than the last with more blue tones used not only in the clothes and background, but even in one performer’s hair. Abram Rodriguez plays a hot raver boy with blue hair and glitter who gets down on his knees and deep-throat’s Anthony Holloway, whose cock seems to get bigger every time I see him. Abram does his best to get it all the way down his throat and does a pretty damned good job. You can tell Anthony is in heaven.

Enter Kid Rock, the third raver of the scene. With two huge cocks stretching his mouth now, Abram gasps and tries to breath through his nose. He takes both their heads into their mouths and they do to his mouth what they plan on doing to his ass in just a few moments. The scene is flying by compared to the previous.

The two tops throw Abram, back down onto a table, and Kid Cock continues to plow his throat while Anthony lifts his legs and licks tongue-fucks his hole. “Get it wet for my dick,” says Kid Cock. The two switch sides and Kid sticks it to him. He thrusts all twelve inches of himself up into Abram who barely even moans as he lays his head back to swallow most of Anthony’s cock.

“Take that, little raver boy!” shouts Kid at the kid. The tops switch positions again and now it’s Anthony’s turn to fuck him.

“Let’s put both our dicks in him at once,” suggests Anthony. What a novel idea! Anthony lies on his back while Abram bounces up and down for a while. When he leans forward, Kid comes in, pushes his cock up against Anthony’s and slides it in Abram’s hole.

“This is amazing!” shouts St. John. “I can’t believe how much footage we’re getting of this. These things are so hard to shoot. How are you just taking both of them so easily?” he asks Abram.

“Oh, I prepared earlier in the bathroom by fisting myself!”

And with that, it’s time for the cum shots! As I sneak out of the building, the crew is setting up for yet another scene. It is 10:27 pm.

I decide on my walk to the car that Phil St. John is truly insane. But he is also a visionary. He’s not only been the only director bold enough to shoot the world’s first gay all DP movie, but he’s shot it masterfully and beautifully. Is there anyone else who could have pulled it off with his style… his class… his brand of ass?

Mark my words, Pacific Sun’s Double Delights will, within a year of its release, go into their top ten bestselling titles of all time.

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